Fugitives and Futurists were kind enough to share my story, “Misoprostol.” The pic above is the image the editors of the site chose to accompany the story. It’s a very short piece of near-future science fiction that imagines how prohibition of reproductive rights will manifest similarly to drug prohibition. As someone who grew up around religion-based opposition to reproductive rights, particularly women’s reproductive rights, I see religion-appeasing prohibition as irrational policy and an ideological poison in our society.
I’m very excited that my novella, “Please Listen Carefully as Our Options Have Changed,” is featured in Running Wild Novella Anthology Vol. IV, Book 1. I started writing this story while I was writing my dissertation and the amount of bureaucratic nonsense I had to deal with was derailing my efforts to finish. The constant deadlines, interruptions, requirements, and plain-old nonsense was driving me crazy and I vented my frustration on a poor guy living in a future version of Woonsocket, Rhode Island name Carlos. Carlos’s life is controlled by “legal” requirements that perpetually disadvantage him.
To write the story, I looked at current trends – education costs, job availability, debt – and the ways our loose concepts of consumer and citizen protections create so many opportunities to be victimized for profit. I’ll touch on an example. While it horrifies me that, in the United States, we rely on for-profit, employer-provided healthcare as a form of blackmail. Work, or suffer physically. Work, or die. However, there are so many pro-insurance, pro-hospital loopholes, that even people who work and obtain “good” insurance must be repeated victimized in the process of gaining the benefits they pay for. The idea that we have “choices” that countries with “socialized” medicine don’t have is true – we can choose to eat or buy medicine, we can choose to pay medical bills or for our children’s educations, we can choose to go to the hospital or doctor our insurance tells us we can go to instead of someone we trust. When usury and debt control a population, choice is a cruel joke.
In my story, none of this has changed. The US is even more usury based than it is currently. It hurt me to imagine that, but it’s possible. In fact, we continue to become more obscenely usurious all the time.
The point is that if we allow ourselves to be interpolated as consumers and producers our whole lives – rather than citizens and human beings – nothing will change. In fact, the longer we wait to acknowledge and address that the United States society is fully defined by usury, the more deeply entrenched the usury becomes. The less likely we are to survive it. The more complicit we all become in the suffering it causes to those who can’t fight back and those who do fight, and pay for it.
I hope you will read “Please Listen Carefully as Our Options Have Changed” and reflect on the ways we give up freedom to become consumers. When do we begin exploring option to deal with usury, both legal and through economic civil disobedience?
You can purchase the novella here – https://www.amazon.com/Running-Wild-Novella-Anthology-Book-ebook/dp/B08R7XJ7C1
Thanks to Frankie Rollins, Sandra Shattuck, and, of course, Erin Aldrich, for this help with this story!
A few months back, my close friend, Sandra Shattuck, interviewed me for Pima Community College’s Community of Writing series. We talk about writing, ecology, educational economics, teaching, science fiction, and more. I discuss some of my stories, too. It was fun to think about Sandra’s prompts and I’m so grateful to her Southwest Literature students for their questions about my story, “A Heliograph of Kin Kletso,” which will be in Weber: The Contemporary West Fall 2020. Thanks to Sandra and Dan at PCC for making this happen!
My flash fiction piece, “Don’t Fear the Reaper,” is featured on The Arcanist. It’s also on Tales from The Arcanist, the corresponding podcast available right on the page with the story or via Spotify.
“Don’t Fear the Reaper” is a short, uncomfortable moment from the future, a piece of science fiction imagining how the mundane will prevail forever. Nothing to do with cowbell. It’s only 650 words, so check it out.
Thanks so much to The Arcanist for sharing my story. They send one story a week right to your inbox if you subscribe.
Would an artificial instinct, an artificial gut feeling, be determined by the material form of the gut? For example, the wiring within a computer. Would the conditions of its physical existence define the ways its “body” would influence how its intellect made meaning? In the titular story of their new fiction collection, Artificial Gut Feeling, Anna Zett imagines what meaning would derive from the artificial gut feeling. Turns out it’s a suicidal desire for self-immolation; wired systems dream of self-destructing from the heat/excrement produced when they run.
Though Zett’s collection is presented as “personal science fiction,” the work is not easily identified with genre. For example, the heat/excrement metaphor is reminiscent of Georges Bataille’s 1927 essay, The Solar Anus, where heat and light are the excrement of the sun and existence is a cycle of things living within the excrement of others. Invoking a proto-postmodernist like Bataille reflects that Artificial Gut Feeling will appeal more to readers of Judith Butler and Elaine Scarry than fans of Octavia Butler or Liu Cixin. In this science fiction, science provides metaphors for postmodern feminist theory. Zett has clearly researched the science at the foundation of these metaphors, especially electricity and neurotransmitters, and the result is engaging, unique, and insightful.
Read the review on Full Stop.
Get the book from Divided Publishing or Amazon.
I’m really happy I had the chance to review Future Tense Fiction (Unnamed Press, 2019) for Full Stop Magazine. The collection brought together writers I’m familiar with, like Paolo Bacigalupi and Nnedi Okorafor, and writers who are new to me, like Mark Oshiro and Deji Bryce Olukotun. Of course, my familiarity reveals little about a writer’s success, and actually all the writers in this anthology are a who’s-who of the best contemporary science fiction writers.
On reason I like this collection so much is that Slate originally published all the stories and paired them with articles from scientists and other contemporary experts, adding a level commentary to the stories. That commentary, along with the collection’s focus on contemporary science and social issues, makes Future Tense Fiction a trove for a college instructor like me who teaches sci fi, literature, and composition. Just this semester I’m using Okorafor’s “Mother of Invention,” Oshiro’s “No Me Dejas,” Olukotun’s “When We Were Patched” and Maureen McHugh’s “Starfish Girl” in my courses. I also teach a Bacigalupi story (The Gambler), though not the one from the collection.
My faithful science fiction book club have also enjoyed the anthology. The stories demand conversation and the writing quality is excellent. Again, it’s a great way to get a feel for the most innovative and contemporary science fiction writers all in one place. I’m looking forward to branching out into these writers’ other work.