John Paetsch’s experimental poetry collection, Ctasy, of shapes off shore, (Hiding Press, 2020) reminded me a lot of the Museum of Jurassic Technology on Venice Blvd in Los Angeles. By blending antiquated scientific language and concepts with optical and personal imagery, the poet, like the quirky museum, challenges the ways we make meaning. The book is beautifully made and formatted. There’s even a confusing map to help you get started on your journey off shore. You can read my review here at Full Stop.
Of all the books I read and reviewed this year, Gabriel Ojeda-Sagué collection of poems, Losing Miami, was my favorite. Like many people, I primarily encounter climate change in numbers – numbers of degrees average temps have increase, number of species lost, number of fires, number of hurricanes, and so on. In Losing Miami, Ojeda-Sagué reminds us of the cultural losses we will soon face. He reminds us that geography is an element of culture and when we lose places, we lose ways of being. Things that can’t be expressed in numbers; things best expressed through poetry.
My review for Joe Pan’s poetry collection, Operating Systems (Spork Press, 2019) is up at Heavy Feather Review. I mostly focus on Pan’s long poem that ends the collection, “Ode to the MQ-9 Reaper,” which is awesome.