John Paetsch’s experimental poetry collection, Ctasy, of shapes off shore, (Hiding Press, 2020) reminded me a lot of the Museum of Jurassic Technology on Venice Blvd in Los Angeles. By blending antiquated scientific language and concepts with optical and personal imagery, the poet, like the quirky museum, challenges the ways we make meaning. The book is beautifully made and formatted. There’s even a confusing map to help you get started on your journey off shore. You can read my review here at Full Stop.
Would an artificial instinct, an artificial gut feeling, be determined by the material form of the gut? For example, the wiring within a computer. Would the conditions of its physical existence define the ways its “body” would influence how its intellect made meaning? In the titular story of their new fiction collection, Artificial Gut Feeling, Anna Zett imagines what meaning would derive from the artificial gut feeling. Turns out it’s a suicidal desire for self-immolation; wired systems dream of self-destructing from the heat/excrement produced when they run.
Though Zett’s collection is presented as “personal science fiction,” the work is not easily identified with genre. For example, the heat/excrement metaphor is reminiscent of Georges Bataille’s 1927 essay, The Solar Anus, where heat and light are the excrement of the sun and existence is a cycle of things living within the excrement of others. Invoking a proto-postmodernist like Bataille reflects that Artificial Gut Feeling will appeal more to readers of Judith Butler and Elaine Scarry than fans of Octavia Butler or Liu Cixin. In this science fiction, science provides metaphors for postmodern feminist theory. Zett has clearly researched the science at the foundation of these metaphors, especially electricity and neurotransmitters, and the result is engaging, unique, and insightful.