A few months back, my close friend, Sandra Shattuck, interviewed me for Pima Community College’s Community of Writing series. We talk about writing, ecology, educational economics, teaching, science fiction, and more. I discuss some of my stories, too. It was fun to think about Sandra’s prompts and I’m so grateful to her Southwest Literature students for their questions about my story, “A Heliograph of Kin Kletso,” which will be in Weber: The Contemporary West Fall 2020. Thanks to Sandra and Dan at PCC for making this happen!
My first review with Full Stop is of Farooq Ahmed’s novel, Kansastan (7.13 Books; 2019). The novel recreates Civil War-era Kansas as Muslim society, with most of the action taking place in and around a rural mosque. They’re going to war with Missouri. The narrator is the most narcissistic scrub of all time and the world is out to humiliate him again and again in hilarious fashion. The novel isn’t like anything I’ve read before.
Get a copy of Kansastan here.
I remember reading The Worcester Review in Tatnuck Booksellers in the mid-nineties as an undergrad at Assumption College and thinking it would be cool to see words I wrote in print. It only took me twenty years, but my story, Swamp Yankee, is in volume 39 of The Worcester Review. It’s a story about a man defending his herd of alpacas from a mysterious predator while a ghost stalks him from the underbrush of his memory. It takes place in Worcester County and it feels good to publish it back home.
Manifest West: Transitions and Transformations is the Fall 2018 installment in this series from Western Press Books. I’m happy to say that my story, Ponderosa, is featured among so many other great stories. As a wanderer named Phillip and his dog Osa explore a Ponderosa pine forest on Arizona’s Mogollon Rim, the lines between Phillip’s interior and exterior worlds are blurred. I learned a lot about pine forest ecology while writing it.
This edition also includes a story from my good friend, Lisa Levine, as well as Arizona poets Mark Haunschild and Cynthia Hogue.