Two Reviews – As You Were by David Tromblay and Alien Stories by E.C. Osondu

I have been a bit negligent in updating this site over the summer, but I have been writing and reviewing books.

David Tromblay’s memoir, As You Were, recounts the author’s abusive childhood and military experiences. The memoir pulls zero punches, describing physical abuse at the hands of Tromblay’s father and grandmother in fairly graphic ways, but somehow the author’s dark sense of humor manages to take some of the edge off. The book also addresses the cultural erasure that occurred at boarding schools for Native American children, like the one Tromblay’s grandmother attended.

Read my review of As You Were at Full Stop here.

E.C. Osondu’s Alien Stories uses extraterrestrials as metaphors for immigrants in US culture. That sounds like a simple premise, but Osondu gets great mileage out of it, describing immigrant experiences in accessible and empathetic ways. The stories are often quite funny and always clever. Osondu is from Nigeria but now teaches in Providence, Rhode Island. I’m hoping he attends the Tucson Festival of Books because I’d really like to hear him speak or read from his work.

Read my review of Alien Stories at Full Stop here.

Full Stop Reviews Supplement: Summer 2021 cover with art by Ashon T. Crawley

In other news, my review of Anna Zett’s Artificial Gut Feeling is featured in the Full Stop Reviews supplement, which is available for Full Stop’s Patreon supporters. The supplement includes several feature essays and many reviews. Definitely worth checking out.

I’d also like to congratulate Full Stop on their recent Whiting Literary Magazine Prize. It’s a real accomplishment and well deserved. I’m proud to be a contributor to their important work!

Book Review – Bloomland by John Englehardt

John Englehardt’s Bloomland is a novel about a massacre at a rural college told in second person and focusing on three characters, a student, a professor, and the shooter. This book is not for the weak-hearted. It is a tough read, but Englehardt writes the student, Rose, and the professor, Eddie, so real you feel like you know them beyond the book. They could be you. Eli, the shooter, feels a little more constructed from journalism. Overall, once you get used to almost every pronoun being “you” for an entire novel, this book pulls you in.

This is the last paragraph from my review:

Bloomland is a powerful, ambitious novel that bravely takes on one of the most perplexing, terrifying, and uniquely American phenomena—the school shooting. The novel won the Dzanc Books Prize for Fiction, a reflection of both craft and thematic relevance. One can only hope future readers will pick up Englehardt’s novel to understand an idiosyncratic period of our history when we abjured our safety and the lives of our children. For now, perhaps Eddie and Rose and their suffering will indict us through empathy so that we work toward a nation where Bloomland is truly fiction.

You can read the whole review on Heavy Feather Review here.

You can buy Bloomland here.

Here’s the author’s website.