I’m really happy I had the chance to review Future Tense Fiction (Unnamed Press, 2019) for Full Stop Magazine. The collection brought together writers I’m familiar with, like Paolo Bacigalupi and Nnedi Okorafor, and writers who are new to me, like Mark Oshiro and Deji Bryce Olukotun. Of course, my familiarity reveals little about a writer’s success, and actually all the writers in this anthology are a who’s-who of the best contemporary science fiction writers.
On reason I like this collection so much is that Slate originally published all the stories and paired them with articles from scientists and other contemporary experts, adding a level commentary to the stories. That commentary, along with the collection’s focus on contemporary science and social issues, makes Future Tense Fiction a trove for a college instructor like me who teaches sci fi, literature, and composition. Just this semester I’m using Okorafor’s “Mother of Invention,” Oshiro’s “No Me Dejas,” Olukotun’s “When We Were Patched” and Maureen McHugh’s “Starfish Girl” in my courses. I also teach a Bacigalupi story (The Gambler), though not the one from the collection.
My faithful science fiction book club have also enjoyed the anthology. The stories demand conversation and the writing quality is excellent. Again, it’s a great way to get a feel for the most innovative and contemporary science fiction writers all in one place. I’m looking forward to branching out into these writers’ other work.
My review of Future Tense Fiction is here on Full Stop Magazine.
Purchase the book from Unnamed Press Here.
Read the stories and articles here on Slate.com.
My first review with Full Stop is of Farooq Ahmed’s novel, Kansastan (7.13 Books; 2019). The novel recreates Civil War-era Kansas as Muslim society, with most of the action taking place in and around a rural mosque. They’re going to war with Missouri. The narrator is the most narcissistic scrub of all time and the world is out to humiliate him again and again in hilarious fashion. The novel isn’t like anything I’ve read before.
Read my review here at Full Stop.
Get a copy of Kansastan here.
Of all the books I read and reviewed this year, Gabriel Ojeda-Sagué collection of poems, Losing Miami, was my favorite. Like many people, I primarily encounter climate change in numbers – numbers of degrees average temps have increase, number of species lost, number of fires, number of hurricanes, and so on. In Losing Miami, Ojeda-Sagué reminds us of the cultural losses we will soon face. He reminds us that geography is an element of culture and when we lose places, we lose ways of being. Things that can’t be expressed in numbers; things best expressed through poetry.
My review of the collection is on Terrain.org. You can read it here.
Get a copy of Losing Miami from The 5 Accomplices.
John Englehardt’s Bloomland is a novel about a massacre at a rural college told in second person and focusing on three characters, a student, a professor, and the shooter. This book is not for the weak-hearted. It is a tough read, but Englehardt writes the student, Rose, and the professor, Eddie, so real you feel like you know them beyond the book. They could be you. Eli, the shooter, feels a little more constructed from journalism. Overall, once you get used to almost every pronoun being “you” for an entire novel, this book pulls you in.
This is the last paragraph from my review:
Bloomland is a powerful, ambitious novel that bravely takes on one of the most perplexing, terrifying, and uniquely American phenomena—the school shooting. The novel won the Dzanc Books Prize for Fiction, a reflection of both craft and thematic relevance. One can only hope future readers will pick up Englehardt’s novel to understand an idiosyncratic period of our history when we abjured our safety and the lives of our children. For now, perhaps Eddie and Rose and their suffering will indict us through empathy so that we work toward a nation where Bloomland is truly fiction.
You can read the whole review on Heavy Feather Review here.
You can buy Bloomland here.
Here’s the author’s website.
My review for Joe Pan’s poetry collection, Operating Systems (Spork Press, 2019) is up at Heavy Feather Review. I mostly focus on Pan’s long poem that ends the collection, “Ode to the MQ-9 Reaper,” which is awesome.
Read the review from Heavy Feather – https://heavyfeatherreview.org/2019/07/09/pan/
You can purchase Operating Systems from Spork right here – http://shop.sporkpress.com/product/joe-pan-operating-systems/
The new print edition of Rain Taxi features my review of Anne-Marie Kinney‘s new novel, Coldwater Canyon. It’s kind of a Hollywood noir story told from the perspective of a stalker. Unsettling and compelling. As you can read in my review, I enjoyed it.
You can read the review from Rain Taxi. (You gotta buy it; it’s the print edition).
Buy Coldwater Canyon here.
A couple months ago, I reviewed Wendell Mayo’s new short fiction collection, Survival House, for Heavy Feather Review. Sadly, shortly after the review came out, Wendell passed away. He was the head of the Creative Writing program as Bowling Green State University and a great writer. I’m glad I had the chance to get to know him and his work. Survival House is a collection of satirical stories about our nuclear age. Definitely worth checking out.
You can read the review here on Heavy Feather Review.
You can pick up Survival House here.
I’ll have more book reviews with Heavy Feather in the near future, as well as a review with Rain Taxi.