My review of Anna Zett’s Artificial Gut Feeling is up now on Full Stop Magazine. From the review:
Would an artificial instinct, an artificial gut feeling, be determined by the material form of the gut? For example, the wiring within a computer. Would the conditions of its physical existence define the ways its “body” would influence how its intellect made meaning? In the titular story of their new fiction collection, Artificial Gut Feeling, Anna Zett imagines what meaning would derive from the artificial gut feeling. Turns out it’s a suicidal desire for self-immolation; wired systems dream of self-destructing from the heat/excrement produced when they run.
Though Zett’s collection is presented as “personal science fiction,” the work is not easily identified with genre. For example, the heat/excrement metaphor is reminiscent of Georges Bataille’s 1927 essay, The Solar Anus, where heat and light are the excrement of the sun and existence is a cycle of things living within the excrement of others. Invoking a proto-postmodernist like Bataille reflects that Artificial Gut Feeling will appeal more to readers of Judith Butler and Elaine Scarry than fans of Octavia Butler or Liu Cixin. In this science fiction, science provides metaphors for postmodern feminist theory. Zett has clearly researched the science at the foundation of these metaphors, especially electricity and neurotransmitters, and the result is engaging, unique, and insightful.
Read the review on Full Stop.
Get the book from Divided Publishing or Amazon.
I’m really happy I had the chance to review Future Tense Fiction (Unnamed Press, 2019) for Full Stop Magazine. The collection brought together writers I’m familiar with, like Paolo Bacigalupi and Nnedi Okorafor, and writers who are new to me, like Mark Oshiro and Deji Bryce Olukotun. Of course, my familiarity reveals little about a writer’s success, and actually all the writers in this anthology are a who’s-who of the best contemporary science fiction writers.
On reason I like this collection so much is that Slate originally published all the stories and paired them with articles from scientists and other contemporary experts, adding a level commentary to the stories. That commentary, along with the collection’s focus on contemporary science and social issues, makes Future Tense Fiction a trove for a college instructor like me who teaches sci fi, literature, and composition. Just this semester I’m using Okorafor’s “Mother of Invention,” Oshiro’s “No Me Dejas,” Olukotun’s “When We Were Patched” and Maureen McHugh’s “Starfish Girl” in my courses. I also teach a Bacigalupi story (The Gambler), though not the one from the collection.
My faithful science fiction book club have also enjoyed the anthology. The stories demand conversation and the writing quality is excellent. Again, it’s a great way to get a feel for the most innovative and contemporary science fiction writers all in one place. I’m looking forward to branching out into these writers’ other work.
My review of Future Tense Fiction is here on Full Stop Magazine.
Purchase the book from Unnamed Press Here.
Read the stories and articles here on Slate.com.
My first review with Full Stop is of Farooq Ahmed’s novel, Kansastan (7.13 Books; 2019). The novel recreates Civil War-era Kansas as Muslim society, with most of the action taking place in and around a rural mosque. They’re going to war with Missouri. The narrator is the most narcissistic scrub of all time and the world is out to humiliate him again and again in hilarious fashion. The novel isn’t like anything I’ve read before.
Read my review here at Full Stop.
Get a copy of Kansastan here.
Of all the books I read and reviewed this year, Gabriel Ojeda-Sagué collection of poems, Losing Miami, was my favorite. Like many people, I primarily encounter climate change in numbers – numbers of degrees average temps have increase, number of species lost, number of fires, number of hurricanes, and so on. In Losing Miami, Ojeda-Sagué reminds us of the cultural losses we will soon face. He reminds us that geography is an element of culture and when we lose places, we lose ways of being. Things that can’t be expressed in numbers; things best expressed through poetry.
My review of the collection is on Terrain.org. You can read it here.
Get a copy of Losing Miami from The 5 Accomplices.
Gregorio Tafoya, editor of Little Rose Magazine, read my story in Hobart (Hari Kari) and dug it enough that he invited me to contribute something to his site. I’m very thankful for the opportunity to share my story, Everyday Augury. I found plenty of interesting reads on Little Rose, so check them out.
Everyday Augury takes place in Wal-Mart and involves soothsaying. Hope you dig it.
You can read it here at Little Rose Magazine.
John Englehardt’s Bloomland is a novel about a massacre at a rural college told in second person and focusing on three characters, a student, a professor, and the shooter. This book is not for the weak-hearted. It is a tough read, but Englehardt writes the student, Rose, and the professor, Eddie, so real you feel like you know them beyond the book. They could be you. Eli, the shooter, feels a little more constructed from journalism. Overall, once you get used to almost every pronoun being “you” for an entire novel, this book pulls you in.
This is the last paragraph from my review:
Bloomland is a powerful, ambitious novel that bravely takes on one of the most perplexing, terrifying, and uniquely American phenomena—the school shooting. The novel won the Dzanc Books Prize for Fiction, a reflection of both craft and thematic relevance. One can only hope future readers will pick up Englehardt’s novel to understand an idiosyncratic period of our history when we abjured our safety and the lives of our children. For now, perhaps Eddie and Rose and their suffering will indict us through empathy so that we work toward a nation where Bloomland is truly fiction.
You can read the whole review on Heavy Feather Review here.
You can buy Bloomland here.
Here’s the author’s website.
Thanks to Hobart (Hobartpulp.com) for publishing my wacky short story, “Hari Kari.” It’s the tale of a man who may repeat his mistakes, but at least he has guts.
You can read it here.
My review for Joe Pan’s poetry collection, Operating Systems (Spork Press, 2019) is up at Heavy Feather Review. I mostly focus on Pan’s long poem that ends the collection, “Ode to the MQ-9 Reaper,” which is awesome.
Read the review from Heavy Feather – https://heavyfeatherreview.org/2019/07/09/pan/
You can purchase Operating Systems from Spork right here – http://shop.sporkpress.com/product/joe-pan-operating-systems/
A friend of mine discovered a nest of rabbits in his yard, so we set up a motion sensor camera and documented the rabbits’ behavior. The mother left them alone most of the day and night, only returning to feed the two kits a few times a day. They grew very quickly and moved nests. Here’s the time lapse video I made from the camera’s still images.
I posted a couple other videos, too. We met this kestrel a few years back at the Arizona-Sonora Desert Museum.
Finally, I found some footage of a gila monster drinking from Aravaipa Creek north of Tucson.
The new print edition of Rain Taxi features my review of Anne-Marie Kinney‘s new novel, Coldwater Canyon. It’s kind of a Hollywood noir story told from the perspective of a stalker. Unsettling and compelling. As you can read in my review, I enjoyed it.
You can read the review from Rain Taxi. (You gotta buy it; it’s the print edition).
Buy Coldwater Canyon here.